Psychogeographic Review’s Recommendations – May 2013

 

This past month Psychogeographic Review has been reading:

Scarp   ‘Scarp’ – Nick Papadimitriou

Nick Papadimitriou’s meditation on walking, landscape and his upbringing in North London under the shadow of the ridge of land he refers to as Scarp

Spring Returning   ‘Spring Returning: a selection from the works of James Farrar’ –                                    Christopher Palmer

James Farrar was a young airman who died in World War Two.  This is Christopher Palmer’s moving collection of Farrar’s poetry, prose, diary entries and writings on the music of Delius

Wales   ‘Wales: An Archaeological Guide’ – Christopher Houlder

A comprehensive field guide to the archaeological sites of Wales; an invaluable tool for exploration as well as an entertaining read

Ryecroft   ‘The Private Papers of Henry Ryecroft’ – George Gissing

A writer at rest reflecting on the quiet pleasures of life that he is at last able to enjoy in his final years after a lifetime of hardship and injustice

Good Soldier   ‘The Good Soldier’ – Ford Madox Ford

A portrait of deceit and hatred and one of the key works of early modernism

Wasp Factory   ‘The Wasp Factory’ – Iain Banks

Gender, identity, myth and ritual; all brought to life with Banks’s pyrotechnic use of language

Father and Son   ‘Father and Son’ – Edmund Gosse

Edmund Gosse’s ‘study of two temperaments’ – his recollections of a Victorian childhood, his loss of religious faith and the father whom he loved but constantly fought against

Europe   ‘Journey Through Europe’ – John Hillaby

John Hillaby’s original and engaging account of his walk from Hoek van Holland to Nice via the Alps; a journey across a continent in flux

 

Meanwhile, we were listening to:

Gapland   ‘Gapland’ – Charles Swain and Lost Trail

Travin Systems’ Chieftain picks up North Carolina’s Lost Trail in his battered Escort as he slides across the slick bitumen and up into the timberline.  A four track exploration of their beloved backroads, backwoods and the nature of car travel with turning synths, descending haze and irresolute house http://travinsystems.com/

To an End  ‘To an End’ – Helm

Captivating debut solo LP of drone and sound poetry from Birds Of Delay’s Luke Younger aka Helm.

Affinity   ‘Affinity’ – Affinity

Sadly neglected jazz/rock fusion album from 1970 featuring the extraordinary vocal talents of Linda Hoyle

Working Man's Dead   ‘Workingman’s Dead’ – Grateful Dead

Also from 1970: the Dead’s take on country, blues and folk laced with spine-tingling harmonies

And watching:

In the Fog   ‘In the Fog’ – Sergei Loznitsa

Sergei Loznitsa’s bleak tale of collaboration and revenge in Nazi-occupied Soviet Russia

Pan's Labyrinth   ‘Pan’s Labyrinth’ – Guillermo del Toro

A Mexican/Spanish co-production merging fantasy, myth and parable against the background of the resistance movement in the early years of Franco’s regime in Spain

Rumble Fish   ‘Rumble Fish’ – Francis Ford Coppola

Coppola’s black-and-white homage to German expressionism and the French New Wave staring Mickey Rourke and a young Matt Dillon.

Felix

 

 

 

‘Felix: Lighter V. 4’ – Graham Hooper

Film of Felix Baumgartner’s supersonic free-fall (helmet-cam footage) reversed and slowed down to last as long as the Bond film ‘Skyfall’. See it on YouTube here

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Clerkenwell: drift and prams

A guest post by Fernando Sdrigotti

Clerkenwell: a hectic hub in the centre of London. Today, as always, several times co-exist here. Today, the times of the media industry, the postal workers, the Italian Diaspora, and a (mostly white) working-class. I lived in Clerkenwell from late 2009 to late 2011; I was fascinated then; and I am fascinated now (I write these words under the same spell). I used to spend my mornings pushing a pram around the area; my daughter, now two, was an early drifter. Now this is arguably not the best place to push a pram; yet I hold dearly these times where we could dérivé around Clerkenwell, just the two of us, alone in the crowd of early morning workers and local drunks.

We would reproduce the same journey on a daily basis. The starting point would always be Mount Pleasant Sorting Office, around the corner from our flat.

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Across the road from Mount Pleasant sorting office

 

This space, currently housing one of the largest sorting offices in Europe, used to be known as Coldbath Fields Prison (1794 – 1885). Something of its past survives in the building. An imaginary palimpsest, perhaps; but there is something carceral about the place.

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The sorting office as seen from Farringdon Road

 

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Etching of Coldbath Field Prison (Source: The British Postal Museum & Archive)

 

The sorting office is a spiky, brutal, affair. The windows don’t let one see more than bits of postal clutter and the occasional postman (before the current redevelopment; the building is now covered in scaffolding and Christo-like fabric; I dread to think what will become of it once the redevelopment of the area is finished). I’ve always fantasised about asking to be led into the building; I understand this is possible; I don’t know why I never did it (perhaps the fear of ruining an ideal relationship with this building?).

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Back of the building, intersection of Warner Street and Phoenix Place.

 

Towards the back there’s a huge parking lot frequently packed with red vans. And, although invisible to the eye, there are tunnels underneath the ground, tracing wanton trajectories across the city, connecting who knows which buildings with who knows which other underground spaces. In the past Royal Mail used to run their own underground train, carrying only letters. Letters being the most anthropologically charged of objects, the trajectories remain for whoever wants to feel them. You might imagine them being love letters; I prefer to imagine them as utility bills and junk mail, the kinds of epistolarity the city imposes on its citizens.

I have used this space in my fiction writing. Two of the stories of my upcoming book (Ordinary Stories in Minor English) take it as setting or background. In the first one, a group of black and Asian postal workers manage to prevent a plot to kill the Queen with a pair of exploding shoes sent to her by Mossad; on the second one a young barmaid who works in the pub across the road can’t sleep due to the vibrations (the charged letters) she perceives from the sorting office (her cocaine habit might contribute to her insomnia but she blames the sorting office nevertheless). The sorting office also has a secondary role in many other short stories I wrote around this time. I guess it was my way of taking something of this building with me when I left the area.

After Mount Pleasant it would be Spa Fields, just a couple of hundred metres east down Farringdon Road. Now home to mostly local winos, media clerks on lunch-break, and the staff of the London Metropolitan Archive, Spa Fields was a burial ground from 1777- 1849.

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Back gate; Spa Fields

 

The crematorium used to occupy the space in which the park attendant’s house lies today. The burial ground was originally planned for +2700 interments. According to British History Online by “in fifty years it was carefully computed that 80,000 interments had taken place in this pestilential graveyard”. This practice was permitted by the constant exhumation, chopping-up, and cremation of older corpses. Due to the infectious smells that emanated from the place, all the corpses were finally removed and relocated to other cemeteries at the then outskirts of the city. This practice continues today in the expulsion – via extortionate rent – of the original inhabitants of the area. Gentrification is always a gory business. One might thing Clerkenwell is already fully gentrified; one should think carefully. There’s always the potential for further expulsions. The local council flats are today a mixed affair: working families cohabit with students, media people and City yuppies. There is nothing stopping the huge monster that is the City of London from conquering what it hasn’t already conquered. The soaring rents in the area, in addition to the housing benefit cap should do their part in contributing to this.

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Formerly a crematorium and bone-house, now the park attendant’s house.

 

I used to spend several hours every morning walking in circles in this square. Babies are pram-fascists that only sleep while on moving wheels. Nevertheless I owe these lost hours the pleasure of re-reading W. G. Sebald’s The Rings of Saturn. I guess the only way this book can get any better is if one reads it while walking.

Sooner or later the young fascist child would wake up. We would then head to Saint James Clerkenwell church, just a hundred metres north from Clerkenwell Green, temporary home to Vladimir Lenin. The legend states that Lenin met Stalin at a pub just around the corner from this church. I ignore whether they walked on the churchyard; but I guess they did: atheists cannot resist religion’s call.

You don’t see any commies around here now. This is also mainly a place for media people on their lunch break and local drunks. The latter are a fixture in Clerkenwell. The area is close enough to Central London and far enough from Westminster’s and the Met’s Street Homelessness Unit. I used to talk to one of them, a guy with a northern accent. He had just been released from prison after many years; he shot a man but he failed to kill him; the man had abused him when the homeless guy was a child; he waited almost ten years and he took his revenge; he regretted not having killed him; he didn’t regret having spent time in jail. I used to hear all this from behind a pushchair; and so did my daughter (luckily she didn’t understand English back then).

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Saint James Church, Clerkenwell

 

Now I am guilty of living in another gentrified area of London (is there any area that isn’t gentrified here?). But there are no industrial buildings over here; no prisons but the everyday; the postmen only turn up to deliver letters (bills); and you don’t see any homeless drinkers at the park.

I’m bored to death. I miss Clerkenwell.

 

Sources:

British History Online, http://www.british-history.ac.uk/report.aspx?compid=45101

Islington Now, http://islingtonnow.co.uk/?p=3029

The British Postal Museum Archive, http://postalheritage.org.uk/page/mountpleasant

Reffell Family History, http://www.reffell.org.uk/cemeteries/spafields.php

The British Postal Museum & Archive, http://www.postalheritage.org.uk/page/mount-pleasant

Local signposts

 

Biography:

Fernando Sdrigotti is a writer, urban photographer and film researcher. Born in Rosario, Argentina he has lived in London since the early noughties. His first book, Tríptico, was published in 2008; he is currently finishing his first collection of short stories, Ordinary Stories in Minor English and a novel in Spanish, Shetlag [sic]. At times he has been a full-time musician, part-time melancholic and occasional bohemian.

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The Chalets of Farndon

This gallery contains 66 photos.

  The chalet colony, through which I walked with Anna on that bright morning, was larger and more cheerful than the neighbouring villages.  Nobody needed an expulsion order to move in. ‘Ghost Milk: Calling Time on the Grand Project’ – … Continue reading

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STRATUM

This month we’re pleased to present a guest post by a friend of this blog, Charles Swain.  We hope you’ll agree that Charlie’s photographic essay provides some stunning images and impressions of a recent visit to an abandoned industrial town in Maryland, USA.

Charlie has put together an e-booklet of this piece and we will be sending a PDF of the booklet to all our email followers so that they can enjoy his pictures in their full glory.  We can also send it to anyone else on request and free of charge.

Charles Swain, by the way, runs Travin Systems.com/Travin Systems Records ‘providers of rural oddness and spa town lariness through writing, photography and techno.’  His site is definitely worth a visit:

www.travinsystems.com

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STRATUM – a guest post by Charles Swain

 

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Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kiss’d it and then fled, as thou mightest in dream.”
A Dream of the Unknown by P.B Shelley

 

Situated in one of the heavily wooded pockets that seem to make up the majority of Eastern Maryland’s state parks lies Daniels Mill (previously Alberton and marked upon the map as Daniels).

Practically the entire state was once covered in forest before the arrival of European settlers and Colonial Lords who found that the oak and white pine were particularly useful for shipbuilding and quickly press-ganged them with saws and nails into a new life on the sea.  Clearance for farming and tobacco was always quite popular as well.  This is not to say that Maryland is now barren of trees.  The state is rife with them.  Only now a thickly braided net of urban development has been cast over their crowns and between their trunks.  At least in the populous DC/Baltimore area the woodland has been cut up into pockets of rich verdure or stark timber and it is in one of these that Daniels Mill sits.

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Heading towards the village we drive past petrol stations with their breeze block back walls pushed up against dry winter woods.  We see large manicured lawns separated from the messy forest floor only by fence-posts and finally descend into the tangle of undulating blacktop that carves through the valleys and ridges of the upper Patapsco.

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We park the car down by the side of the river and follow a muddy tarmac track (once Alberton Road) that clings to the side of the river.  The river is wide and shallow at this point and separated from the path by a meadow of tangled long grass-strewn with broken branches of the wiry trees that populate it.  On the other side sits the railway on top of a small rise.  The train approaches.  It’s long and takes over fifteen minutes to pass.  Carving through vast tracts of countryside day in and day out glimpsed only occasionally by humanity,its bright coloured lettering a moving billboard for the birds and bears.

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Further on we catch site of an overturned van sticking out of the greenish water.  The skeletal struts of its chassis revealed like the exoskeleton of a upturned beetle, burnt umber in places by rust.

The path weaves around to the right and on a highish ridge above us stood rows of winter beech.  Tall and stripped of their leaves, their bark a dry and bright silver like the colour of some volatile metal that must be kept constantly in oil.  From time to time the exposed root structures of these giants crept silently towards the path, coiled round mounds of earth and stone in search of stability and nourishment.

“They look like dead octopi” voiced my companion “Touch its papery skin”.

Suffice to say I declined and we moved on.

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The path took another bend and the former riverside meadow was replaced by wide sand banks that fanned out into both the path and the river.  Here and there brightly covered moss draped fallen trunks in Sylvan opulence.  To visit the area at the tail end of a hot Atlantic summer would be pleasant.  The lush greenery of the sloping forest running into warm sand skirted by an opalescent stony river all cast in the mellowing hues of the late sun’s rays.

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The body of Daniels Mill is on a slight raise in the land.  A humped wooded knoll lays at its back and the river draws a horseshoe around its feet.  The most striking remnants of the 19th century mill village are a gothic,red tiled spire and a brick smokestack rising up from the main mill complex.  A wooden cupola once crowned the main mill building but this was airlifted to safety to protect against flood in a somewhat ostentatious move of historical preservation.   A small welding firm had apparently appropriated the land where the workers’ houses once stood and had erected some low, tin-roofed huts.

We walked a little further along the path following the curve of the river around the village.  We came upon two stone bridge supports,stranded in the narrows.  The railway or road it once shouldered long removed and transferred to the iron train crossing a little further on.  Passing some stone foundations, the outline of an old white chapel defined itself through the trees.  Only the wood and plaster frontage and parts of walls still stood.  The floor of the nave had fallen in, exposing a old rusting boiler and there was remains of brick chimney work, vibrant with green moss in the vestry.  We took some portraits using the glassless windows as frames and moved on.

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Topping a slight incline we came to the terminus of the ephemeral town.  A large stone weir that had obviously been the mill’s power supply.  A fly fisherman flicked his brightly coloured lure at the curtain of water and glanced up at another church on the knoll.  A solid edifice of Victorian revival, built in 1880, that had survived the closure of the mills and dismantling of the town and the hurricane that swiped most of what was left away in 1970’s.

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The valley and the village where composed of various layers.  A layer of industrious settlement balanced precariously on the forest floor propped up with numerable places of worship and then torn down by the caprices of man and nature.  The dismal winter forest glistened with glimpses of the approaching spring and summer and was scattered with Arthurian scenes.

A low fog began to ascend from the valley and my companion became talkative as we headed back to the car.

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Charles Swain runs Travin Systems.com /Travin Systems Records – providers of rural oddness and spa town lariness through writing, photography and techno.

www.travinsystems.com

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Winstanley: A Vision of Albion

 

In the end it all gets back to land. Looking back, I see that a link that runs through my life concerns the right to land and property on it. Shared out equally, there would be a couple of acres for every adult living in Britain. That would mean each family or group could have a reasonably sized small holding of ten or twenty acres and learn once again to become self sufficient. The present day reality is the reverse, with some folk owning hundreds of thousands of acres and others owning none. There’s talk of community in war time. We can be ordered to go and fight and die for Queen and country. In peace time is it too much to ask for just a few square yards of our green and pleasant land to rear our children on? That’s all we want, myself and the squatters and travellers and other people in the many projects I’ve been involved with. Just a few square yards of this land that we can in wartime be asked to go out and die for. And if we ever achieve that, what else? What else is what I call the Vision of Albion.

Sid Rawle – activist and organiser of squats, communes and music festivals

 

Winstanley is a 1975 film directed by Kevin Brownlow and Andrew Mollo.  It received a very limited release at the time and was all but forgotten in subsequent decades.  A BFI Southbank revival and DVD release in 2009, however, went some way to restoring the reputation of Brownlow and Mollo’s work as a thought-provoking examination of Gerrard Winstanley and the English Revolution.

Winstanley

Winstanley is a film that cuts through the ‘roundheads versus cavaliers’ knockabout that so much of our popular understanding of the English Civil War has become and reminds us of the titanic political forces that the conflict released.  Gerrard Winstanley was a political activist who, with a group of fellow Diggers, occupied St George’s Hill in Surrey in April 1649 with the aim of setting up an agrarian commune.  The same St George’s Hill that is now that most desirable of Home Counties locations and was once home to John Lennon.  ‘Imagine no possessions’.  Indeed, John.

This is a flawed film.  To ensure historical accuracy, much of the dialogue used by the actor playing Winstanley is based on the historic Winstanley’s published speeches, which often gives the action a somewhat wooden character.  The fact that it was also made on a very limited budget and with an amateur cast tends to show through too.

But despite all of this, the central performance by Miles Halliwell, an unknown actor and school teacher, still manages to bring startling passion and genuine warmth to the part.  Kevin Brownlow creates a vision of an England in turmoil and presents it in stark monochrome beauty, while Andrew Mollo pays painstaking attention to the historical accuracy of all the clothing and uniforms in the film, even going so far as to borrow armour from the Tower of London.  The directors also managed to find a part in their film for Sid Rawle, who plays a charismatic Ranter.  In other words, he plays himself.

Brownlow and Mollo had worked together before; as teenagers they made a film called It Happened Here, a vision of an imagined Nazi-occupied Britain, for just £5,000.  In 2011 Brownlow was interviewed about his work at a BFI/NFTS event.  The interview is available here.

Winstanley’s aim was to free up Britain’s common land for the poor and landless so that they were able to grow their own food.  To give access to land for those who had no land of their own before Cromwell’s revolution, nor indeed after it.  The St George’s Hill commune lasted just five months; Winstanley and his comrades were forced to move on by militia men and local thugs hired by the landowners whom the Diggers’ occupation threatened.

But surely everything is different now?  We have the ‘right to roam’ on any uncultivated land in our countryside and our land-owning aristocracy are corralled mainly into National Trust-administered reservations.  Not so, according to the 2010 Country Life magazine report ‘Who Owns Britain?’  The report highlights the following facts:

  • Just 0.6% of Britain’s population own 50% of our rural land;
  • Of this land-owning group, the vast majority of land is in the hands of a core of 1,200 aristocrats;
  • The top ten biggest individual owners control over a million acres between them;
  • The biggest individual landowner is the Duke of Buccleuch and Queensbury with 240,000 acres; and
  • Large corporate and financial interests are fast moving into rural land ownership.

Gerrard Winstanley would, no doubt, turn in his grave if he knew how little change there had been in land ownership since his time.

 

The sin of property
We do disdain
No man has any right to buy and sell
The earth for private gain
By theft and murder
They took the land
Now everywhere the walls
Spring up at their command

                   Leon Rosselson – ‘The World Turned Upside Down’

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Hilbre: Sand Ripples and Worm Casts

Low tide. bright sunshine and a bracing wind from the west – a perfect morning to walk over the sands to Hilbre in the Dee estuary.  Something about the angle of the light at this time of year seems to make the outlines softer and colours warmer.  I take pictures and make notes. The novel, the one I’m working on, will open right here.

Approaching Hilbre from Middle Eye

Approaching Hilbre from Middle Eye

 

 

The Slipway

The Slipway

 

 

Stratified

Stratified

 

Hilbre Pond

Hilbre Pond

 

At the very tip of the island he came upon a ruined lifeboat station made from blocks of local sandstone.  Though badly weathered and roofless, he was amused to find inside a near perfect fireplace carved from sandstone.  Beyond the ruin was a small causeway jutting out into the sea.  He gazed out at the sea, tongues of which were already lapping about his rocky perch.  The tide had turned and was beginning to come in.  Soon the island would be cut off until the next low tide.  To the west was the shoreline of Wales and, beyond that, the hazy outline of Snowdonia.  He felt the sun on his back drying the sweaty dampness of his shirt.

Lifeboat Station

Lifeboat Station

 

 

Observation Post

Observation Post

 

 

Hilbre, it was clear to him from his vantage point, guarded the seaward approach to the River Dee.  Her cliffs, layers of weathered red and yellow sandstone came to a point just here.  Sitting there, facing the Irish Sea, he felt like he was on the prow of a ship; an old battered ship maybe, but one which had stood proud and determined against all the incoming assaults the sea could throw against it.  The sandstone seemed very familiar to him.  Familiar not so much because of any previous visit to Hilbre but, it suddenly occurred to him, because this was the local stone was used on so many of Liverpool’s older buildings.  In a literal fashion, he mused, the masonic sandstone grounded Liverpool into the bedrock of its bluff along the side of the Mersey.

Captain's Log

Captain’s Log

 

 

He was walking along the cliff-top of the eastern edge of the island now.  He stopped and faced the water.  To his left was Hoylake and, at the very tip of the Wirral peninsula, the Red Rocks.  He switched his gaze to the right, tracing the line of sand dunes as far as West Kirby with its marina and the slipway where he had started his walk.   But the huge expanse of sand he had walked over was now gone.  In its place, but for the odd sandbank, was an expanse of grey water.  And clearly the tide was coming in quickly; foamy waves were already lapping at the few remaining stretches of sand.  He’d set out too long after low tide and had missed his opportunity to walk back over the sands.

Sand Ripples and Worm Casts

Sand Ripples and Worm Casts

 

 

Rope

Rope

 

 

Dead Seabird

Dead Seabird

 

 

The Welsh Coast

The Welsh Coast

 

 

Sand Tyre

Sand Tyre

 

 

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Psychogeographic Review’s Recommendations – April 2013

 

This past month Psychogeographic Review has been reading:

Wide Sargasso Sea   ‘Wide Sargasso Sea’ – Jean Rhys

London   ‘London: City of Disappearances’ – Iain Sinclair (Ed.)

Pavane   ‘Pavane’ – Keith Roberts

Erewhon   ‘Erewhon’ – Samuel Butler

Owl Service   ‘The Owl Service’ – Alan Garner

Well of Loneliness   ‘The Well of Loneliness’– Radclyffe Hall

Dorian   ‘Dorian’ – Will Self

 

Meanwhile, we were listening to:

Dawn Songs   ‘Dawn Songs’ – Vivien Ellis

The Next Day   ‘The Next Day’ – David Bowie

Ziggy Stardust   ‘The Rise and Fall of Ziggy Stardust and the Spiders from Mars’ –                                    David Bowie

Sugarland   ‘Sugarland’ – Talk Normal

 

 

And watching:

In the Flesh   ‘In the Flesh’ – Dominic Mitchell, BBC3 UK

Silver Linings Playbook   ‘Silver Linings Playbook’ – David O Russell

Village   ‘Village at the End of the World’ – Sarah Gavron

False Trail   ‘False Trail’ – Kjell Sundvall

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Skyscapes

This gallery contains 19 photos.

Whilst sorting through my late father-in-law’s photographic equipment recently, I found a number of files of studies he had made of the ever-changing skies of Devon and Cornwall.  He had lived with very bad health in his later years and this prevented him … Continue reading

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The Clandestine Farm

One March afternoon I climbed over the fence which divides my neighbour’s land from mine, and walked on his farm as though it were my own.  I looked on it, not in a jealously possessive way, but simply as I might if there were no such thing as land property and all the people held all the land in common. . The land was here before us and will outlive us.  The land is not inanimate, it owns us, and we are just some of its creatures.  The land lends us minerals, feeds us, clothes us and when we die it takes back all it has given.

Anthony Wigens was a writer and teacher and wrote his only commercially published book, The Clandestine Farm, in 1981.

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Wigens took his inspiration from Gerrard  Winstanley and the Diggers, Gilbert White and  Pyotr Kropotkin.  He set out to challenge the myth that certain privileged individuals can exclusively ‘own’ the land upon which we all live.  The Clandestine Farm is the story of how he translated these ideas into a practical experiment in his local fields and woods.

 

 

 

 

 

 

 

 

The scene of Wigens’s experiment was Lockleys Farm, a stretch of land adjoining the garden of his home near Welwyn Garden City; a farm for which one George Baron held the title.  In trespassing on his neighbour’s land, Wigens asserted that he was upholding his common law rights.  He set out to exercise his right to gather some of nature’s wild harvest and also to raise edible plants in some of the marginal corners the farmer did not cultivate.  However, he was scrupulously careful not to take any of the produce which the farmer grew and ‘did nothing to harm them or restrict his privileges.  I neither squatted nor expropriated, nor was I a thief.’

Taking his cue from the writings of continental anarchists, such as Proudhon, and the tradition of English utopian socialism, Wigens rails against the iniquities of our present system of land ownership.  He cites the Inclosure Acts of the eighteenth and nineteenth centuries, which extinguished most of the common land rights of ordinary people, as the root of the problem.

Wigens sets out to assert these rights once more by systematically straying from  his local public footpaths and encroaching onto land for which someone else held the title.  He describes how he forages for nature’s bounty and how his efforts meet with mixed success.  Good King Henry, Jack-by-the-hedge (wild garlic), salad burnet, puffball fungus and chickweed were all good.  But dandelion leaves he finds very bitter and Roman snails chewy and tasteless.  Wigens also exercised his right to gather firewood in the woods near his house.

His boldest experiment was to cultivate Good King Henry, a native spinach-like plant, in a neglected corner of one of George Baron’s fields.  The point of the experiment was not so much to raise a decent crop for his own family, but to show up the inequalities of the present system of land ownership.  Most of our countryside is owned and farmed by a small number of people while  the rest of us have little or no land upon which to grow our own food.  Yet within these large farms, indeed throughout our rural and urban areas, one finds neglected, fenced-off plots of land lying abandoned, unloved and uncultivated.

Stepping Over the Fence


Stepping Over the Fence

 

Wild Garlic


Wild Garlic

 

Good King Henry


Good King Henry

 

Salad Burnet


Salad Burnet

 

Chickweed


Chickweed

 

But reading The Clandestine Farm, one cannot help feeling that there is something slightly old-fashioned and middle-class about Wigens’s lone attempts to impose order upon an innately anarchic natural world.  He fights a never-ending battle against the native bracken of the spot at the edge of the woods where he wishes to raise his crop.  I found myself thinking of my own allotment and the areas upon it I have chosen to leave wild so that the insects and birds can thrive.  Indeed, I can almost convince myself that I am not being slovenly, but am following a deliberate and ecologically-sound strategy!

To give Anthony Wigens his due, he begins to realise the limitations of his lone experiment towards the end of this book:

Looking back on the events described in this book, what surprises me most is the solitary nature of all the activities.  This was me, just a few years ago before I accepted my own need for a more communal life.  And yet what moved me to farm clandestinely moves me still, a need to explore ways of living off the land without owning it, without excluding the rights of others to have access to it…  I farm urban wasteland, and I work with others to make these disused plots productive.

Putting aside any quibbles about the practical usefulness of Wigens’s clandestine farming experiment, this is, without doubt, a humane and wise book which raises questions about the ownership of land; questions that are as relevant today as they were to the radicals of the English Civil War.  In many ways, Wigens’s clandestine farm was not so much a physical place, as one which lived in his imagination.  And the human imagination is the most fertile of all soils.

Not everyone who feels alienated from the land will want to go as far as I have gone.  They may not understand why it is so important to take the gifts of the land; they may be concerned to know what the law permits, or to learn what difficulties they may encounter.  It is to answer these questions that I have written this book.

 

Book cover image – Paladin Press

Images 1 and 2 – Bobby Seal

Images 3, 4 and 5 – courtesy of Creative Commons

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