The Flow of Time: Lockdown, Day 36

In a breath, the river that flows through our Sunday walks is sparkling in the summer sun, is ruffled by the winter wind, or thickened with drifting heaps of ice.

Charles Dickens – David Copperfield

Lockdown Day 36

 

 

 

 

Picture of Hvítá River, Iceland ©Bobby Seal

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The Flow of Time: Lockdown, Day 35

It was remarkable how the races that had gone to his making had each left its signature on the river bank; often over and over, as children on gates and walls scrawl the names of those amongst them who are ‘courting’.
On one side of the harbour mouth the place-name was Gaelic, on the other side it was Norse. Where the lower valley broadened out to flat, fertile land the name was Norse, but the braes behind it were Gaelic. A mile up the river where the main stream was joined by its first real tributary, the promontory overlooking the meeting of the waters was crowned by the ruins of a broch that must have been the principal stronghold of the glen when the Picts, or perhaps some earlier people, were in their heyday.
And all these elements of race still existed along the banks of the river, not only visibly in the appearance of the folk themselves, but invisibly in the stones and earth …
Neil M Gunn – Highland River

Lockdown Day 35

 

 

 

Picture of River Tummel at Pitlochry ©Bobby Seal

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The Flow of Time: Lockdown, Day 34

In Liverpool, I beheld long China walls of masonry; vast piers of stone; and a succession of granite-rimmed docks, completely enclosed, and many of them communicating, which almost recalled to mind the great American chain of lakes: Ontario, Erie, St. Clair, Huron, Michigan, and Superior. The extent and solidity of these structures, seemed equal to what I had read of the old Pyramids of Egypt.

Karel Čapek Letters from England, 1924

Lockdown Day 34

 

Back in February 2017 I took the train up to Liverpool to see Tracey Emin’s My Bed at the Tate. I wasn’t disappointed; close up the installation created a searingly honest self-portrait of the artist. It was shown in an exhibition space alongside a series of drawings by William Blake. The seeming dissonance of these two bodies of work was quickly overcome, for me, by the underlying qualities they shared and their contrasting ways of saying something very similar. Emin’s My Bed and Blake’s The Crucifixion: Behold Thy Mother and Pity are all, in their own way, protests against the sexual and social hypocricies of their day.

Another image caught my eye as I was about to leave: the view across the Mersey towards Birkenhead framed by one of the windows of the former Albert Dock warehouse which now forms the Tate. A restored waterfront, its former wealth built on trade with Africa and the Americas. Trade that drove the shipyards of Birkenhead, the sugar refineries of Liverpool and the cotton mills of Lancashire. Wealth that was based, let us not forget, on the slave trade. This (above) is in some ways a beautiful image, but beneath its surface there is an underlying darkness.

 

 

A window on the River Mersey ©Bobby Seal

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The Flow of Time: Lockdown, Day 33

I was lucky, I am lucky. I came bursting out of the water and into the light with a great gasp, a loud heaving that you’d have thought people on the river bank would have been able to hear. There were no boats coming – I’d checked before I jumped, because obviously I didn’t want to tangle with river traffic. I’d have gone off a bridge over the M1 otherwise. No, I wanted a watery death.

Joseph Gallivan – England All Over

Lockdown Day 33

 

The higher your starting point, the bigger the splash. Hockney was aware of this. But if you focus on the splash, rather than the water, you’re doing something that is impossible in real life: ‘you’re freezing a moment and it becomes something else’.

 

 

Splash quote ©David Hockney

Tower Bridge picture ©Bobby Seal

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The Flow of Time: Lockdown, Day 32

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine?
Percy Bysshe Shelley – Love’s Philosophy

Lockdowm Day 32

 

While ripples dance to the music of stones.

 

Picture by ©Bobby Seal

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The Flow of Time: Lockdown, Day 31

The old river in its broad reach rested unruffled at the decline of day, after ages of good service done to the race that peopled its banks, spread out in the tranquil dignity of a water way leading to the uttermost ends of the earth.

Joseph Conrad – Heart of Darkness

Lockdown Day 31

 

This is the message Georg and Maria, quoting Beethoven, sent to me:

Die Hoffnung nährt mich, sie nährt ja die halbe Welt, und ich habe sie mein Lebtag zur Nachbarin gehabt, was wäre sonst aus mir geworden?

Which translates into English as:

Hope nourishes me, it nourishes indeed half the world, and I have had it as my neighbour for all my life, what otherwise would have become of me?

How appropriate a message for us all to hold onto at this challenging time.

 

Picture of the River Mersey at dusk ©Bobby Seal

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The Flow of Time: Lockdown, Day 30

The black stream is a ley-line whose energies have become stagnant through neglect, or negative through misuse.
Aidan Andrew Dun – Vale Royal (Notes)

 

Lockdown Day 30

 

Thirty days since the lockdown began: a whole month, and still no end in sight. People who follow this blog will remember that my other half and I opted to put ourselves into effective self-isolation a few days before the lockdown became obligatory in order to avoid spreading anything she might catch in her job on the NHS frontline to the people we might encounter in our community. As it’s worked out, we live in a part of the UK where there have been relatively few COVID-19 cases, as yet. In fact, with other more routine cases put on hold in anticipation of the demands of the virus crisis, my wife’s hospital is somewhat quieter than normal.

Most of us accept that the lockdown is necessary to slow down the spread of coronavirus and to avoid our health service becoming overwhelmed. In fact, lives would have been saved if the government had acted earlier. There will be an end to this crisis; we will develop a vaccine and society will gradually be able to return to normal. But who knows when that will be and how many tens of thousands of lives will be lost before we get there?

We’re storing up other costs too. Loneliness and isolation are causing untold damage to the mental health of so many people in our communities. Families are under pressure from being cooped up together every day, domestic abuse victims are locked up with their abusers, people are short of money because their jobs have disappeared and kids are missing out on school, out-of-school activities and the companionship of their friends.
True, the government is putting more money into the NHS, propping up small firms and, grudgingly, making payments to people who have lost their jobs. But, unless we are prepared to resist it, we are likely to face another period of severe austerity to make ordinary people pay for it once this crisis is over.

But there are glimmers of hope. Suddenly people are making fewer car journeys and taking far fewer flight. Consequently, we are able to enjoy cleaner air throughout the world. I sit in the garden and, instead of the distant hum of traffic, I hear only birdsong, my neighbour’s ducks and the voices of children playing. As a society we have been reminded of the value of our NHS and we are far appreciative of the unsung heroes working in our hospitals and care homes, maintaining our public services and delivering food and all the other things we really need. These are lessons we need to remember when this crisis is over.

Marooned at home I miss seeing my family and friends. I sometimes shed a tear when I see the regular WhatsApp pictures of my grandkids, but still look forward to seeing each daily update. I miss going out in my role as a volunteer and the people I work with. And I long to be able to go for long, free-ranging walks again. Walking and exploring is what I do and it is, at least in part, the whole point of this blog.

But, then again, there are positives. I’ve learned how to Skype and Zoom and to make WhatsApp video calls. I’ve been to virtual pubs and taken part in virtual quizzes. I’ve more time for writing, reading and listening to new music. I have more time to chat to my neighbours, albeit over a hedge. I’m able to work on my vegetable plot most days and I go out for a run every other morning with far more determination than previously. There’s a whole world of online learning out there too.

The isolation gets me down sometimes and I feel anxious about what’s going to happen to the world and the people I love. I keep the anxiety at bay by making myself busy all day but, when I go to bed, I rarely manage to sleep for more than five or six hours.

Writing this blog helps of course, as does the feedback people send me and the links to other blogs and podcasts I receive.

Picture of mountain stream near Humbleton Hillfort, Northumberland ©Bobby Seal

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The Flow of Time: Lockdown, Day 29

I re-read Alice Oswald’s poem, Hymn to Iris, yesterday. I first encountered it in her 2005 collection Woods etc. I recalled it as a poem of fatalistic despair. But reading it again this week, in these days dominated by an electron-microscope image of a flower with blood-red petals, I see it now as a poem of hope, offering the possibility of rebirth and rebuilding.

 

Quick moving goddess of the rainbow
You whose being is only an afterglow of a passing-through
Put your hands
Put your heaven-taken shape down
On the ground. Now. Anywhere
Like a bent- down bough of nothing
A bridge built out of the linked cells of thin air
And let there be instantly in its underlight –
At street corners, on swings, out of car windows –
A three-moment blessing for all bridges
May impossible rifts be often delicately crossed
By bridges of two thrown ropes or one dropped plank
May the unfixed forms of water be warily leaned over
On flexible high bridges, huge iron sketches of the mathematics of strain
And bridges of see-through stone, the living-space of drips and echoes
May two fields be bridged by a stile
And two hearts by the tilting footbridge of a glance
And may I often wake on the broken bridge of a word,
Like in the wind the trace of a web. Tethered to nothing

Alice Oswald – Hymn to Iris

Lockdown Day 29

Picture of River Dee near Llangollen ©Bobby Seal

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The Flow of Time: Lockdown, Day 28

And a few of them had taken to the river, as if they had grown to distrust even the dry land itself. These were the purest surviving strain of Indian and they lived secret, esoteric lives, forgotten, unnoticed.

Angela Carter The Infernal Desire Machines of Doctor Hoffman

Lockdown Day 28

And when I dream
I dream I can fly

My wings are golden,
Yellow like the dawn

A butterfly in a jar

I beat my wings
Against the unyielding glass

 

Picture of water reflection, Normandy ©Bobby Seal

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The Flow of Time: Lockdown, Day 27

All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, what valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory—what the nerves and the skin remember as well as how it appeared.

Toni MorrisonThe Site of Memory

Lockdown Day 27

 

Someone sent me an email about my Lockdown blog the other day. He said: ‘Thank you for sharing about your life, your family and your concerns – it is probably making a bigger difference to folk who read it than you realise’.

I’m so grateful for his message. I think we all need a kind word these days. So, if someone shares one with you, pass it on. If you don’t get one, pass it on anyway and it’ll catch you on the way back.

 

Picture of the River Mersey at Rock Ferry ©Bobby Seal

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