One Year is a project through which I intend to construct a daily photographic record of a single view: the view from my study window at around 8.00a.m. each day when I sit down to work. One Year will annotate each picture with a note of the weather for that morning and the morning’s main news headline from the BBC News site. In addition, there will be a note taking a key sentence or two from my daily journal.
May 30th 2014
Heavy cloud
New NHS boss backs smaller hospitals
Below, the Pennines swept by, a narrow strip of upland strategically placed to stop Manchester and Sheffield growing into one another
May 31st 2014
Sunny intervals
Leaders condemn Sudan death sentence
The car zipped from the orange glow of one street light to the next with hypnotic repetition
June 1st 2014
Sunny
Qatar World Cup: £3m corruption claim
She loved to walk here, discovering new glades and previously unnoticed corners
June 2nd 2014
- Light cloud
- Savile abuse reports ‘reach 500’
- The Woman Who Did: Grant Allen’s male fantasy of a feminist novel
June 3rd 2014
Light rain shower
Syria votes in presidential election
Exploring the link between the New Woman and Herbert Spencer’s socio-political model of human evolution
June 4th 2014
Light cloud
‘Bold’ Queen’s Speech promised
On Chesil Beach only works if read as a comedy
June 5th 2014
Sunny intervals
£1bn ‘shortfall’ in PPI compensation
She strained her ears but, try as she might, she could not hear the sound of clawed feet on the roof. But she knew he was there, his slick, black feathers glowing in the moonlight
Artist Statement
… “natural history” has no actual existence other than through the process of human history, the only part which recaptures this historical totality, like the modern telescope whose sight captures, in time, the retreat of nebulae at the periphery of the universe.
Guy Debord – Society of the Spectacle
The purpose of this project is to explore continuity and change. Over the course of a year, I will build up a daily visual record of the same view. Despite my best efforts, though, I will not be able to replicate the ‘same’ view each day: it is subject to changes in the environment, such as the weather or the time the sun rises. But it is also affected by changes caused by me, the observer. For instance, my feelings that morning may change the way I hold the camera or, inadvertently, the image may show my breath on the glass from getting too close to the window.
Looking out at the view on this, the first morning of One Year, I see a scene comprising sky, trees and rooftops. I don’t see much evidence of human activity just yet, but that may come later in the year when the leaf cover begins to thin out. Being on a flight path, we also see the odd vapour trail or aeroplane light in the sky too.
Some of the changes that will become evident will be pretty obvious, such as the seasons. Other changes will be more subtle. My daily notes will give some insight into what is going on inside my head that morning, from my journal entry, and there will also be a record of what is happening in the world in general, from the news headline.
But the ‘view’ I am recording in One Year is not neutral, it is selected and framed by me. Similarly, my journal extracts are selected from a much larger body of work; it is the ‘insight’ into my thinking that I choose to present. Even the ‘news headline’ cannot be regarded as neutral, for it is subject to BBC editorial bias.
But there is a third party in the One Year process, one that is outside of my control. That person is you, the reader of this blog, the interested observer of the project. I want people to bring their own interpretations, views and insights to this project. All comments received will be reproduced in my weekly project reports.
