The Flow of Time: Lockdown, Day 46

If I were called in
To construct a religion
I should make use of water.

Going to church
Would entail a fording
To dry, different clothes;

My liturgy would employ
Images of sousing,
A furious devout drench,

And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.

Philip Larkin – Water

Lockdown Day 46

 

Today is the 75th anniversary of VE Day. Whilst the defeat of Nazism is something to be celebrated, I don’t think I’ll be joining in with the socially-distanced tea party in my street. I love my neighbours, but I think today is one that should be given over to quiet reflection rather than light-hearted celebration. I want to take time to remember the millions of men, women and children whose lives were destroyed in the conflict.

I seem to recall that I was a reflective child too, and I used to love to hear my father’s tales about the war when the two of us were together. I only realised later, when I was an adult and spoke to other family members about it, that it was only with me that he opened up about these memories.

As a prisoner-of-war in East Prussia for almost five years he saw his share of cruelty and suffering. He was forced to take part in one of the death marches of January 1945, when the Germans and their prisoners fled west before the advancing Red Army. He lost several of his friends on that march, shot by the German guards because they were too ill and exhausted to keep marching. For the rest of his life the fingers of his left hand, the ones he almost lost to frost-bite, would go white whenever they got cold.

It was the small cruelties he never forgot: like the German soldiers who, at bayonet-point, took the gold signet ring that his mother had given him for his 21st birthday the previous year. But there were small kindnesses too, and it was these that he clung to with equal fervour. There was a Polish girl; she was a forced labourer on a German farm and my father was one of a party of PoWs forced to repair the local roads.

Each day, as they passed each other on their way to and from work, Dad and the Polish girl would smile and nod to each other. Then she started smuggling him food from the farm: an apple, an onion, or maybe a hunk of black bread, quickly slipped from apron to coat pocket.

Inevitably, she was caught. Dad was kicked and hit across the back with rifle-butts by the guards. The girl was slapped and, later that day, she was subjected to the humiliation of having her head publicly shaved as a warning to others. But they couldn’t kill her act of kindness; the memory lived with my Dad for the rest of his life, just as it lives with me now.

We live today in a time of global pandemic; death, fear and suffering on a world-wide scale. Yet every day there are millions of small acts of kindness, from one person to another. In 75 years time, let us hope that it is these small expressions of our shared humanity that are remembered.

Picture of the Rhine at Kestert ©Bobby Seal

 

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The Flow of Time: Lockdown, Day 45

Can’t hear with bawk of bats, all the liffeying waters of. Ho, talk save us! My foos won’t moos. I feel as old as yonder elm. […] Who were Shem and Shaun the living sons or daughters of? Night now! […] Night night! […] Beside the rivering waters of, hitherandthithering waters of. Night!

James Joyce – Anna Livia Plurabelle (Finnegans Wake)

Lockdown Day 45

 

River Gate ©Bobby Seal

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The Flow of Time: Lockdown, Day 44

                    Along the river
                           wild sunflowers
                    over my head
                           the dead
                    who gave me life
                           give me this
                    our relative the air
                           floods
                    our rich friend
                           silt

Lorine Niedecker

Lockdown Day 44

 

 

 

Backwater ©Bobby Seal

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The Flow of Time: Lockdown, Day 43

Winter brings the sound of water gushing below low points in the suburban streets and shopping parades as the streams that rise on Scarp swell and are channelled beneath Edgware, Pinner or Ruislip and flow towards their confluence with two broader rivers which embrace London’s northern margins, the Lea and the Colne. . . . I, too, flow downhill through time and distance from some as yet undiscovered point of origin on Scarp, and the growing awareness of this builds in me a desire to return. . . . I realise yet again that my destiny is bound up with Scarp.

Nick Papadimitriou – Scarp

Lockdown Day 43

 

It was back in 2010 that I first became fascinated with the idea tracing the hidden urban rivers of our towns and cities. I felt inspired to do so when I came across a podcast called Ventures and Adventures in Topography that year. John Rogers and Nick Papadimitriou both had a passion for walking and exploring the forgotten areas of London and the city’s liminal outer spaces. Nick, in particular, had an interest in London’s hidden rivers. An obsession he explored at greater length in his 2012 book, Scarp.

But other towns and cities have their buried rivers too. Taking my prompt from Nick, I soon became adept at tracing the courses of forgotten rivers and streams using old OS maps and quickly came to learn the tell-tale signs on the urban surface-landscape. Some of the results of these explorations have been reported in this blog and, in a fellow blogger called Dave, a work colleague of a friend, I met another hidden river enthusiast.

There is a rich literature embracing hidden rivers, particularly those of London. Iain Sinclair and Aidan Andrew Dun see them as veins of energy vibrating beneath the city’s streets. Inspired by Blake, Dickens, Conrad and other earlier wanderers along London’s rivers, Sinclair writes:

Which brings me to the haunting complexity of London’s buried rivers. They’re not lost, not at all. Just because you can’t see a thing, as Ed Dorn points out, doesn’t mean that it’s not there. The rivers continue, hidden and culverted as they might be, to flow through our dreams, fixing the compass of our moods and movements. The Walbrook, the Fleet, the Tyburn, the Westbourne, the Effra, the Neckinger: visible or invisible, they haunt us.

Iain SinclairSwimming to Heaven: The Lost Rivers of London

 

 

Picture of hidden stream ©Bobby Seal

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The Flow of Time: Lockdown Day 42

Old Ford, out of Fish Island, was a numinous locale in London’s deep-topography: the crossing place of the River Lea – which was once a major obstacle, a much broader stream. Here was a border between cultures, between Vikings and Saxons, pagans and Christians, travellers and fixed citizens, the living and the dead.

Iain Sinclair – Hackney, That Rose-Red Empire

 

Lockdown Day 42

So I was out running this morning and I saw my friend, the street sweeper, on Chester Road at 7.10am. He was emptying a litter bin and sweeping up around a bus shelter. One of the good things about this otherwise very distressing time is that we’re coming to realise which are the really essential jobs. Let’s not forget the people who do those when all this is over.

 

Picture of the Captive River ©Bobby Seal

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The Flow of Time: Lockdown, Day 41

The Clitterhouse Brook gushed from a concrete pipe and flowed beneath the North Circular to make its confluence with the River Brent on the far side of the road near Brent Cross Shopping Centre. It was a majestic sight to see this suburban stream rushing to meet its mother river before working its way to the Thames at Brentford.

John Rogers – A walk along the Clitterhouse Brook with Nick Papadimitriou

Lockdown Day 41

Dreaming Brook picture ©Bobby Seal

 

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The Flow of Time: Lockdown, Day 40

Dirty old river, must you keep rolling
Flowing into the night?
People so busy, make me feel dizzy
Taxi light shines so bright.

Ray Davies – Waterloo Sunset

Lockdown Day 40

The Thames now is a whole lot cleaner than when Ray Davies wrote about gazing out over the ‘dirty old river’ in 1967.  Just over half a century ago the waters at Tower Bridge were declared ‘biologically dead‘ whereas now the river boasts 400 species of invertebrate, 125 varirties of fish and sightings of seals and porpoises in its lower reaches are increasingly common.

But, as a nation, we still have a long way to go: the World Wide Fund for Nature (WWF) predicts Britain is unlikely to reach 2027’s EU targets for reducing river pollution. Dr Andrew Singer, senior scientist at the UK Centre for Ecology and Hydrology insisted last year that ‘there is no river in the UK that is safe to be swimming in’.

There are more than 18,000 sewer overflows across England and Wales ― and about 90% of them discharge raw sewage directly into rivers, according to the WWF:

Overflows are supposed to occur only during extreme rainfall to prevent sewage backing up into homes, but in 2017 the charity found 8-14% of overflows spilling sewage into rivers at least once a week, and between a third and a half at least once a month.

There is a logic, by the way, to illustrating the quote from Ray Davies’s lyrics with a picture of the Mersey. In a 2010 interview with the Liverpool Echo Davies, late of North London, revealed that he loved Liverpool, that his whole career had been inspired by Merseybeat and that the song had originally been called Liverpool Sunset.

Picture of the River Mersey from Rock Ferry ©Bobby Seal

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The Flow of Time: Lockdown, Day 39


Even the anatomy of a river was laid bare. Not far downstream was a dry channel where the river had run once, and part of the way to come to know a thing is through its death. But years ago I had known the river when it flowed through this now dry channel, so I could enliven its stony remains with the waters of memory.

Norman Maclean – A River Runs Through It and Other Stories

Lockdown Day 39

 

 

 

Picture of stream near Flodden, Northumberland ©Bobby Seal

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The Flow of Time: Lockdown, Day 38

Time is the river on which the leaves of our thoughts are carried into oblivion.

Doris LessingThe Golden Notebook

Lockdown Day 38

 

How do you sleep?
How do you sleep at night?

John Lennon

For me, one of the biggest headaches of the present lockdown is insomnia. I don’t have a problem with getting to sleep: by 10.00pm I’m ready for bed, after ten pages of a book I’m ready to put my light out and within five minutes of that I’m fast asleep.

No, the problem for me isn’t getting to sleep; it’s staying asleep that I struggle with. By four or five I’m wide awake. On better days I can struggle for an hour or so and then manage to drift back into a very shallow sleep until six or six-thirty. If I’m unlucky even that eludes me and I have to give up and drag myself from bed at five-thirty or six.
I’m very physically active in the day and I don’t drink caffeine in the evening. I’ve tried forcing myself to stay up later, I always leave my phone downstairs, I’ve tried drinking alcohol and not drinking alcohol and I’ve started to practice meditation. But still the same result: awake with the birds at four or five.

I think I know what the problem is: like so many other people at the moment I have a head full of worries and anxieties about the COVID-19 crisis. As well as concerns about the world in general I have specific worries about the difficulties faced by my kids, grandkids and my wife, who works for the NHS. In the day I can just about handle all of this, mainly by keeping myself really busy. But at night, once I’ve had four or five hours sleep to wipe away the worst of my exhaustion, the anxieties come back up to the surface and haunt me.

I’m not unique, I think most people have these kind of worries. Some people, too many people, have things much, much worse at the moment. So in many ways I’m very fortunate. All the same, I just wish I could get a good night’s sleep now and again.

In Greek mythology the god of sleep is known as Hypnos. The Lethe, the river of forgetfulness, flows through the cave system in which he resides. Charles Baudelaire wrote about the Lethe in his Fleurs du Mal. Anyone who has suffered with insomnia will recognise the desperation evoked by Baudelaire in this poem. He writes of a longing for sleep that is so overwhelming that he is willing to embrace it whatever the cost:

I wish to sleep! to sleep rather than live!
In a slumber doubtful as death,
I shall remorselessly cover with my kisses
Your lovely body polished like copper.
To bury my subdued sobbing
Nothing equals the abyss of your bed,
Potent oblivion dwells upon your lips
And Lethe flows in your kisses.

Picture of the River Dee at Holt ©Bobby Seal

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The Flow of Time: Lockdown, Day 37

The crossing was over. They were arriving. The movement of the little steamer that had collected the passengers from the packet-boat drove the raw air against Miriam’s face. In her tired brain the grey river and the flat misty shores slid constantly into a vision of the gaslit dining-room at home . . . the large clear glowing fire, the sounds of the family voices. Every effort to obliterate the picture brought back again the moment that had come at the dinner-table as they all sat silent for an instant with downcast eyes and she had suddenly longed to go on for ever just sitting there with them all.

Now, in the boat she wanted to be free for the strange grey river and the grey shores. But the home scenes recurred relentlessly. Again and again she went through the last moments . . . the goodbyes, the unexpected convulsive force of her mother’s arms, her own dreadful inability to give any answering embrace.

Dorothy Richardson Pointed Roofs (Pilgrimage Vol. 1)

Lockdown Day 37

 

Richardson was dissatisfied with the form of both the romantic and the realist novel. She wanted to write a novel based on her own life experiences, but to transmute it into something different by seeing it through the eyes of her protagonist, Miriam. Miriam’s voice was to replace Richardson’s. But clearly, there was still a narrator behind that voice. Richardson’s great achievement was to develop a new way of expressing her responses to the world that she saw about her. She was a modernist and a feminist. Pilgrimage has been described as the first full-scale impressionist novel.

 

Extract from From Flâneur to Flâneuse: The City, Mobility and Gender in the Fiction of Dorothy Richardson and Virginia Woolf ©Bobby Seal

Picture of Deutsches Eck, Koblenz ©Bobby Seal

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