Psychogeographic Review’s Recommendations – December 2012

This past month Psychogeographic Review has been reading:

A Wreath of Roses    ‘A Wreath of Roses’ – Elizabeth Taylor

The Overhaul    ‘The Overhaul’ – Kathleen Jamie

Stag's Leap   ‘Stag’s Leap’ – Sharon Olds

The Napoleon of Notting Hill   ‘The Napoleon of Notting Hill’ – G.K. Chesterton

Mister Pip   ‘Mister Pip’ – Lloyd Jones

Hector Bebb   ‘So Long Hector Bebb’ – Ron Berry

Grits   ‘Grits’ – Niall Griffiths

 

Meanwhile, we were listening to:

The North Star Grassman And The Ravens  ‘The North Star Grassman and the Ravens’ – Sandy Denny

White Noise   ‘An Electric Storm’ – White Noise

Birds of Fire   ‘Birds of Fire’ – Mahavishnu Orchestra

Culture   ‘Two Sevens Clash’ – Culture

Poet and the Roots   ‘Dread Beat an’ Blood’ – Poet and the Roots

 

And watching:

The London Nobody Knows   ‘The London Nobody Knows’ – Norman Cohen

London   ‘London’ and ‘Robinson in Space’ – Patrick Keiller

Patience   ‘Patience (After Sebald)’ – Grant Gee

Alice   ‘Alice in the Cities’ – Wim Wenders

About Bobby Seal

Freelance writer, poet and psychogeographer
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2 Responses to Psychogeographic Review’s Recommendations – December 2012

  1. Liz Lefroy says:

    What’s the Sharon Olds like , Bobby? And would I enjoy the Niall Griffiths?

    • Bobby Seal says:

      Hi Liz – Stag’s Leap is a collection of Sharon Olds’s poems about the break up of her marriage and subsequent divorce. It’s painfully honest and moving, though from the depths of despair she manages to conjure up real beauty. Her language is simple and clear and not at all showy, though all the more impressive for that.

      I’ve read quite a few of Niall Griffiths’s books and first read Grits about 10 years ago. Having read it again recently, I’m even more impressed by the guy’s talent. Grits focuses on the lives of a loosely-connected group of drop-outs, junkies and petty criminals in Aberystwyth.

      Not surprisingly, they’re a pretty unlikeable bunch of characters and, in terms of plot, not an awful lot happens. But what I love about the book is Griffiths’s use of language. He describes people in a starkly perceptive way and he clearly loves the landscape of mid-Wales too, describing it in almost mythic terms. His dialogue is stunning- each character has a turn at taking over the narrative and each has a very different and distinct voice; Griffiths even manages to capture accents without being too embarrassing!

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