One Year – Week 50

One Year is a project through which I intend to construct a daily photographic record of a single view: the view from my study window at around 8.00a.m. each day when I sit down to work.  One Year will annotate each picture with a note of the weather for that morning and the morning’s main news headline from the BBC News site.  In addition, there will be a note taking a key sentence or two from my daily journal.

29 August 201429th August 2014

Light rain

Abusers ‘brazenly targeted girls’

Seeing a familiar view from a different direction


30 August 201430th August 2014

Sunny intervals

Cameron and Clegg hold terror talks

Most of these conspiracy theories are absolute guff, but I still believe governments massage information on a daily basis in order to mislead public opinion

31 August 201431st August 2014

Sunny intervals

Missing Ashya King found in Spain

So who sets the news agenda?


1 September 20141st September 2014

Light cloud

Ashya brother defends arrested parents

Daggers of rain; cold, vindictive


2 September 20142nd September 2014


IS accused of Iraq ethnic cleansing

Sun glow claws at southern edge


3 September 20143rd September 2014

Light cloud

Islamic State ‘beheads US hostage’

And in the fairground, empty rides, music without notes, circling in their funereal geometry

4 September 20144th September 2014

Light cloud

PM and Obama unite in defiance of IS

So when I’m offered a chance to help with a local history/arts project on a subject close to my heart, how can I possibly say ‘No’?


Artist Statement

… “natural history” has no actual existence other than through the process of human history, the only part which recaptures this historical totality, like the modern telescope whose sight captures, in time, the retreat of nebulae at the periphery of the universe.

Guy Debord – Society of the Spectacle

The purpose of this project is to explore continuity and change.  Over the course of a year, I will build up a daily visual record of the same view.  Despite my best efforts, though, I will not be able to replicate the ‘same’ view each day: it is subject to changes in the environment, such as the weather or the time the sun rises.  But it is also affected by changes caused by me, the observer.  For instance, my feelings that morning may change the way I hold the camera or, inadvertently, the image may show my breath on the glass from getting too close to the window.

Looking out at the view on this, the first morning of One Year, I see a scene comprising sky, trees and rooftops.  I don’t see much evidence of human activity just yet, but that may come later in the year when the leaf cover begins to thin out.  Being on a flight path, we also see the odd vapour trail or aeroplane light in the sky too.

Some of the changes that will become evident will be pretty obvious, such as the seasons.  Other changes will be more subtle.  My daily notes will give some insight into what is going on inside my head that morning, from my journal entry, and there will also be a record of what is happening in the world in general, from the news headline.

But the ‘view’ I am recording in One Year is not neutral, it is selected and framed by me.  Similarly, my journal extracts are selected from a much larger body of work; it is the ‘insight’ into my thinking that I choose to present.  Even the ‘news headline’ cannot be regarded as neutral, for it is subject to BBC editorial bias.

But there is a third party in the One Year process, one that is outside of my control. That person is you, the reader of this blog, the interested observer of the project.  I want people to bring their own interpretations, views and insights to this project.  All comments received will be reproduced in my weekly project reports.

About Bobby Seal

Freelance writer, poet and psychogeographer
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